Tristan Da Cunha, THE WORLD’S MOST REMOTE INHABITABLE ISLAND, B.O.T. (British Overseas Territory)

Tristan Da Cunha, British Overseas Territory, photograph # 1 – the world’s most remote inhabitable island is more-or less in the middle of the Southern Atlantic Ocean (between the South American and African continents), which was on our sailing route from Rio de Janeiro, Brazil to Cape Town, South Africa

Our Atlantic Ocean crossing from Rio de Janeiro, Brazil to Cape Town, South Africa, was planned for fourteen days, including a stop, nearly midway, at THE WORLD’S MOST REMOTE IMHABITABLE ISLAND, Tristan Da Cunha, British Overseas Territory.  How remote is remote, you ask?  The volcanic Island (and the 4 islands that make up the eponymous archipelago) is 2,816 kilometers (1,750 miles) from the nearest land in South Africa, to the east, and 3,360 kilometers (2,088 miles) from South America.  The only way to visit is by boat – fishing boats from Cape Town, South Africa, and around 10 small expedition cruise ships per year.  Note that there is NO airport on the island, so you can’t come and go quickly…

How many people live on the island?  The week before we arrived in mid-February, it was 237, and then there was a baby born on the island, so now it is 238.  The other three islands that make up the Tristan Da Cunha archipelago are uninhabited – the nearby island of Nightingale Island and the wildlife reserve of Inaccessible Island (both of which we sailed by), and two days further southeast by steamship, the wildlife reserve of Gough Island.  Gough and Inaccessible islands together constitute a wildlife reserve, designated a UNESCO World Heritage Site in 1995.  Everyone on Tristan Da Cunha lives in the only town, Edinburgh of the Seven Seas, just up from the relatively new Calshot Harbor, which can only handle Zodiacs, tender boats, small fishing boats, and barges (which are used to bring in supplies from the occasional supply ships from Cape Town). 

Tristan da Cunha is part of the British Overseas Territory of Saint Helena and Ascension Islands (both of which we have visited on our ship on earlier Atlantic Ocean crossings), along with Tristan Da Cunha.  Saint Helena Island is 1,510 miles to the north (2,430 kilometers), and Ascension Island is even further north.

Tristan Da Cunha, British Overseas Territory, photograph # 2 — everyone on Tristan Da Cunha lives in the only town, Edinburgh of the Seven Seas, just up from the relatively new Calshot Harbor, which can only handle Zodiacs, tender boats, small fishing boats, and barges

You are probably also asking, why are the islands a British Overseas Territory, and why did England put people on an island so far from the British Isles?  Good question. Recall that after Napoleon Bonaparte was defeated (Waterloo, 1815) he was EXILED by the British to Saint Helena Island.  Someone in the British military quicky saw that there were two unclaimed islands, about 1,000 miles north and south of Saint Helena Island – islands the French could claim and build up a military presence to then “rescue” Napoleon from Saint Helena Island.  Voila, the British decided to take over both islands in 1816 — Ascension Island to the north and Tristan da Cunha to the south – to keep the French out of the South Atlantic Ocean.  They administered the British Overseas Territory from Cape Town, South Africa, another area the “Crown” controlled.  In 2009, Saint Helena and its two territories received equal status under a new constitution, and the British Overseas Territory was renamed Saint Helena, Ascension, and Tristan Da Cunha, administered now from Saint Helena Island

Tristan Da Cunha, British Overseas Territory, photograph # 3 – three young girls in second grade had the day off from school and guided some of our friends around the island

Tristan Da Cunha, British Overseas Territory, photograph # 4 – the 19th century stone residence of the island’s administrator, appointed by the British Overseas Territory governor on Saint Helena Island

Tristan Da Cunha, British Overseas Territory, photograph # 5 – the local school

Tristan Da Cunha, British Overseas Territory, photograph # 6 – one of three graveyards at the edge of town

Tristan Da Cunha, British Overseas Territory, photograph # 7 — many of the private homes were originally built of stone in the 1800s, with more recent buildings constructed of metal siding and roofs

Tristan Da Cunha, British Overseas Territory, photograph # 8 – cows grazing at the edge of town

Each family is allowed to have one cow (for fresh milk) and, each family also has a “potato patch”, about a 2.5-mile walk from the center of town — that each family takes care of.  Historically, given the island’s remote location and the infrequency of fresh food supplies arriving, potatoes were historically extremely important to the local diet.

Tristan Da Cunha, British Overseas Territory, photograph # 9 — the Thatched House Museum was built in 2012; the cottage is a faithful replica of the original stone houses built here, from its locally quarried stone walls to its roof covered in New Zealand flax — there’s also an authentic privy (outhouse), a necessity before indoor plumbing became common in the 1950s

Tristan Da Cunha, British Overseas Territory, photograph # 10 — a plaque inside the Thatched House Museum honoring those islanders who returned after spending 2 years in England, following the 1961 volcanic eruption on the island

In the previous couple of photographs, you may have noticed a background wall of volcanic rocks.  That is a new geologic feature on the island since 1961.  “On 10 October 1961, the eruption of a parasitic cone of Queen Mary’s Peak, very close to Edinburgh of the Seven Seas, forced evacuation of all 264 people.   The evacuees took to the water in open boats, taken by the local lobster-fishing boats Tristania and Frances Repetto to uninhabited Nightingale Island.

The next day, they were picked up by the diverted Dutch passenger ship Tjisadane that took them to Cape Town.  The islanders later arrived in the U.K. aboard the liner M.V. Stirling Castle to a big press reception and, after a short period at Pendell Army Camp in Merstham, Surrey, were settled in an old Royal Air Force camp, near Calshot, Hampshire.  The following year, a Royal Society expedition reported that Edinburgh of the Seven Seas had survived.  Most families returned in 1963.” – Wikipedia

Tristan Da Cunha, British Overseas Territory, photograph # 11 – a private home in Edinburgh of the Seven Seas

Tristan Da Cunha, British Overseas Territory, photograph # 12 — the Camogli Healthcare Centre, usually referred to as the hospital, was built and equipped in 2016-2017 to the latest U.K. National Health Service (NHS) standards and was officially opened on 7 June 2017; we had a thorough tour with some of the visiting Cape Town and local nurses and were very impressed with the level of care available in such a remote location

Tristan Da Cunha, British Overseas Territory, photograph # 13 — uphill from the island’s sole grocery (and general merchandise) store is the “Post Office” and “tourist center” – note there are very few tourists who make the long distance to the island

The world’s remotest Post Office team offers a full philatelic service for collectors, with regular issues of interesting and attractive stamps.  Note that Tristan da Cunha did not have stamps until 1952, and the first ones were overprinted St Helena definitives.  Essays priced in potatoes were however prepared in the 1940s as part of the petition for stamps. Before then, islanders had to rely on the good will of visiting ships.  Tristan stamps have been popular with collectors ever since.  Today the island has stamp collectors around the world who buy up new commemorative stamp issues that generate a nice stream of income for the islanders.

Tristan Da Cunha, British Overseas Territory, photograph # 14 – the world’s most remote pub – the Albatross Bar

The economy of Tristan da Cunha relies on the export of crawfish, also known as Tristan rock lobster, which can be found in hotels as far away as China and Las Vegas.  Said to be some of the most delicious lobster on earth according to lobster connoisseurs, this rare variety of crustacean boasts ultra-sweet, pearl white meat that is both delicate and firm in texture. We enjoyed this delicacy as a lobster salad (in a tart and on sandwiches and plain) at the café in the “post office” building, enjoying lunch on picnic tables outside.  On the ship, we had procured lots of lobsters and were fortunate to enjoy large, steamed freshly caught lobsters for dinner in one of our restaurants each of the two nights that we were there.

Tristan Da Cunha, British Overseas Territory, photograph # 15 – while the pub focuses on drinks, it is possible to get some bar “bites”, including – occasionally – something made with the local rock lobster

Tristan Da Cunha, British Overseas Territory, photograph # 16 – Calshot Harbor which has no docking pier – is limited to Zodiacs, tender boats, small fishing boats, and barges (which are used to bring in supplies from the occasional supply ships from Cape Town). 

Tristan Da Cunha, British Overseas Territory, photograph # 17 – distances to other “nearby” locales; interesting tidbit: according to reports, no one has ever been arrested for crime by the single policeman on the island

Legal Notices: All photographs copyright © 2024 by Richard C. Edwards.  All Rights Reserved Worldwide.  Permission to link to this blog post is granted for educational and non-commercial purposes only.

Rio de Janeiro CARNAVAL 2024, Brazil

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 1 — Mocidade Independente de Padre Miguel school

We returned from our overland journey to Iguazú Falls (Iguaçu Falls) just in time to attend the Rio de Janeiro CARNAVAL 2024 on the last night in the Sambodromo, where the top 12 Samba Schools (6 each night) give performances (each limited to no more that 70 minutes – with a timer visible to all) – with each school marching through the Sambodromo with around 2,500 dancers, singers, drummers, and dancers on floats.  We joined about 70,000 people, beginning at 10 p.m. for the samba parades down the wide Marquês de Sapucaí Avenue that runs the length of the Sambodromo. 

Mocidade Independente de Padre Miguel school opened the second night (Monday) – when we attended — with the history of the cashew tree fruit, presenting its legends and curiosities that are known by the Brazilian people.

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 2 — Mocidade Independente de Padre Miguel school

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 3 — Portela school

Portela school is inspired by the novel of writer Ans Maria Gonçalves and retraces imagined paths of the struggled history of black people in Brazil by telling about the relationship of affection and achievements of the black mother Luiza Mahim and her son Luiz Gama.

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 4 — Portela school

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 5 — Portela school

“Rio’s carnival is larger, livelier, louder, and more incredible than anything one can possibly imagine or explain to you.  Even living in Rio for the twelve months prior to carnival is no preparation for what happens in the weeks surrounding the event itself and, despite appearances, or what you may have read in magazines and newspapers, Rio’s carnival is not designed to attract foreign tourists, nor is it violent or dangerous.   Brazil’s carnival is a genuine national celebration, which for most Brazilians is more important than Christmas, New Year and Easter all rolled into one.  It is the size of carnival that often overwhelms the foreign visitor.  It is not an event that is restricted to one area or one social class, but is a celebration, party if you like, that takes over the entire population, and in Rio that means a city that is one of the ten largest in the world.” — https://riotheguide.com/carnaval/

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 6 — Portela school

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 7 — Portela school

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Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 8 — Portela scho

Unidos de Vila Isabel school will reissue in 2024 the subject “Gbala — Journey to the Temples of Creation” from 1993.  With samba by Martinho de Vila, the school emphasizes the importance of children for a better world, carrying forward the values and teachings of the orishas.  [“Orishas are divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé.” – Wikipedia]

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 10 — Unidos de Vila Isabel school

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 11 — Unidos de Vila Isabel school

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 12 — Unidos de Vila Isabel school

Rio de Janeiro CARNAVAL 2024, Brazil, photograph # 13 — Unidos de Vila Isabel school

Legal Notices: All photographs copyright © 2024 by Richard C. Edwards.  All Rights Reserved Worldwide.  Permission to link to this blog post is granted for educational and non-commercial purposes only.

Búzios, Brazil

Búzios, Brazil, is a Brazilian resort set on an ocean peninsula east of Rio de Janeiro, known as an upscale vacation destination with numerous beaches

Búzios, Brazil, is a Brazilian resort set on an ocean peninsula east of Rio de Janeiro, known as an upscale vacation destination with numerous beaches

 

A sleepy fishing village propelled into the spotlight by a vacationing Brigitte Bardot, Búzios, Brazil [105 miles (169 kilometers) northeast of Rio de Janeiro] has retained its vintage holiday allure with a mix of upscale spa retreats, resorts and an endless list of outdoorsy pursuits.  The appeal of the peninsula’s beaches is two-fold; the tropical weather and scenic qualities heighten their glamorous reputation, and the strong waves and turquoise waters attract crowds of gilded youth on the lookout for surfing championships.  Visitors can explore the Igreja de Sant’Ana church perched above the Praia dos Ossos beach, discover the rugged coastline on a morning hike, or ride bikes along the boulevard to the town’s cobblestone streets and shop Rua das Pedras’ chic boutiques.

 

Overlooking the central “business district” of Búzios, Brazil -- filled with boutiques, bars, cafés, and restaurants (with more than a dozen pizzerias in the mix!)

Overlooking the central “business district” of Búzios, Brazil — filled with boutiques, bars, cafés, and restaurants (with more than a dozen pizzerias in the mix!)

 

A bronze statue of Brigitte Bardot who frequently vacationed in Búzios, Brazil, and helped popularize the peninsula and its beaches to vacationers

A bronze statue of Brigitte Bardot who frequently vacationed in Búzios, Brazil, and helped popularize the peninsula and its beaches to vacationers

 

Wooden sidewalks and cobblestone streets in the center of Búzios, Brazil, make for an inviting stroll among the boutiques and restaurants

Wooden sidewalks and cobblestone streets in the center of Búzios, Brazil, make for an inviting stroll among the boutiques and restaurants

 

A typical al fresco restaurant with local specialties, Búzios, Brazil

A typical al fresco restaurant with local specialties, Búzios, Brazil

 

Viewed through an alleyway between two shops, the large MSC cruise liner (3,000 passenger capacity) dwarfs the local fishing boats which here resemble the bathtub toys our grandchildren

Viewed through an alleyway between two shops, the large MSC cruise liner (3,000 passenger capacity) dwarfs the local fishing boats which here resemble the bathtub toys our grandchildren play with, Búzios, Brazil

 

A colorful mannequin invites visitors into a local boutique, Búzios, Brazil

A colorful mannequin invites visitors into a local boutique, Búzios, Brazil

 

A street vendor selling fresh green coconut water, Búzios, Brazil

A street vendor selling fresh green coconut water, Búzios, Brazil

 

Colorful wares for sale outside and inside a boutique in the heart of Búzios, Brazil

Colorful wares for sale outside and inside a boutique in the heart of Búzios, Brazil

 

The statue of three fishermen in the harbor is very lifelike, Búzios, Brazil

The statue of three fishermen in the harbor is very lifelike, Búzios, Brazil

 

Legal Notices: All photographs copyright © 2018 by Richard C. Edwards. All Rights Reserved Worldwide. Permission to link to this blog post is granted for educational and non-commercial purposes only.

 

Copacabana (Beach), Rio de Janeiro, Brazil

A view of Copacabana Beach, Rio de Janeiro, Brazil, from its southern terminus, looking north (Ipanema Beach is behind us, to the south, around the corner)

A view of Copacabana Beach, Rio de Janeiro, Brazil, from its southern terminus, looking north (Ipanema Beach is behind us, to the south, around the corner)

 

Copacabana (a waterfront neighborhood of Rio de Janeiro, Brazil) has one of the most famous beaches in the world.  This Atlantic Ocean-facing, 2.5 mile (4 km) beach is busy with round-the-clock activity (although tourists are advised to be very careful after dusk).  Visitors admire jungle-clad mountain scenery, viewing Copacabana Fort in the distance, and bicycling or walking along the beach-front promenade.  Both tourists and locals sip caipirinhas (the national drink of Brazil, traditionally made with limes) and dine on seafood or tapas at sidewalk cafés dotting the neighborhood’s streets.

 

Across the main street from the promenade, Copacabana is lined with high-rise hotels and condominiums

Across the main street from the promenade, Copacabana is lined with high-rise hotels and condominiums

 

The Copacabana Palace (Hotel) is the highest rated hotel in Rio de Janeiro, Brazil; we had an excellent lunch in their casual restaurant, Pergola, by the swimming pool

The Copacabana Palace (Hotel) is the highest rated hotel in Rio de Janeiro, Brazil; we had an excellent lunch in their casual restaurant, Pergola, by the swimming pool

 

The promenade is dotted with drink and food stands for refreshments, Copacabana Beach, Rio de Janeiro, Brazil

The promenade is dotted with drink and food stands for refreshments, Copacabana Beach, Rio de Janeiro, Brazil

 

sea water up the beach to be sprayed from hoses in order to cool of the sand for patrons who will enter (or exit) the beach barefoot, Copacabana Beach

The owners of the beach vending booths have installed generators to pump sea water up the beach to be sprayed from hoses in order to cool of the sand for patrons who will enter (or exit) the beach barefoot, Copacabana Beach, Rio de Janeiro, Brazil

 

Relaxing on Copacabana Beach, Rio de Janeiro, Brazil

Relaxing on Copacabana Beach, Rio de Janeiro, Brazil

 

Local transportation, Copacabana (Beach), Rio de Janeiro, Brazil

Local transportation, Copacabana (Beach), Rio de Janeiro, Brazil

 

Several master sand carvers have created mini sand “masterpieces” representing the local scenes, Copacabana Beach, Rio de Janeiro, Brazil

Several master sand carvers have created mini sand “masterpieces” representing the local scenes, Copacabana Beach, Rio de Janeiro, Brazil

 

A local fishing boat, Copacabana Beach, Rio de Janeiro, Brazil

A local fishing boat, Copacabana Beach, Rio de Janeiro, Brazil

 

Locally caught fish for sale at the southern end of Copacabana Beach, Rio de Janeiro, Brazil

Locally caught fish for sale at the southern end of Copacabana Beach, Rio de Janeiro, Brazil

 

Sun, sand and water – relaxation time at Copacabana Beach, Rio de Janeiro, Brazil

Sun, sand and water – relaxation time at Copacabana Beach, Rio de Janeiro, Brazil

 

Legal Notices: All photographs copyright © 2018 by Richard C. Edwards. All Rights Reserved Worldwide. Permission to link to this blog post is granted for educational and non-commercial purposes only.

 

Street Art in Rio de Janeiro, Brazil

"Etnias", the largest graffiti mural in the world and a legacy of the 2016 Rio, was painted by Brazilian graffiti artist Eduardo Kobra; it is the largest graffiti mural in the world and

“Etnias”, the largest graffiti mural in the world and a legacy of the 2016 Rio, was painted by Brazilian graffiti artist Eduardo Kobra, Rio de Janeiro, Brazil

 

Once considered little more than defacement of public property, street art has become an accepted form of visual art around the world.  Rio de Janeiro, Brazil, legalized ‘neo-graffiti’ in 2009, leading to a profusion of outdoor works.  Situated right across the street from our pier, covering 560 feet (170 meters) along Olympic Boulevard, is “Etnias”– the largest graffiti mural in the world and a legacy of the 2016 Rio Olympic Games.  Painted by Brazilian graffiti artist Eduardo Kobra, the work depicts a Tajapo boy from Brazil, a Mursi woman from Ethiopia, a Kayin woman from Thailand, a Supi man from Northern Europe, and a Huli man from Papua New Guinea — embodying the continents that represent the black, blue, green, red, and gold rings on the Olympic flag.  Originally named Todos Somos Um (“We Are One”), the artist’s intention was to show that everyone is connected.  It is the largest street mural spray-painted by a single artist and is nearly twice the size of the previous record holder.  Kobra worked 12 hours a day for two months to complete the mural before the opening ceremony of the Olympics.  In total, it took 45 days, 2,800 cans of spray paint and 180 buckets of acrylic paint to complete.  The artist’s bright colored murals featuring geometric shapes and quilted patterns can also be seen in the street murals of New York City, London, Tokyo, and Amsterdam.

 

Rio de Janeiro, Brazil, street art- a view of “Etnias" from Terminal 4 at Pier Mauâ (where our ship was docked)

Rio de Janeiro, Brazil, street art: a view of “Etnias” from Terminal 4 at Pier Mauâ (where our ship was docked)

 

Rio de Janeiro, Brazil, street art- one of the portraits in “Etnias" by Brazilian graffiti artist Eduardo Kobra

Rio de Janeiro, Brazil, street art: one of the portraits in “Etnias” by Brazilian graffiti artist Eduardo Kobra

 

Rio de Janeiro, Brazil, street art- portraits of two women in “Etnias" by Brazilian graffiti artist Eduardo Kobra

Rio de Janeiro, Brazil, street art: portraits of two women in “Etnias” by Brazilian graffiti artist Eduardo Kobra

 

Rio de Janeiro, Brazil, street art- another portrait in “Etnias" by Brazilian graffiti artist Eduardo Kobra

Rio de Janeiro, Brazil, street art: another portrait in “Etnias” by Brazilian graffiti artist Eduardo Kobra

 

Rio de Janeiro, Brazil, street art- a mural on a terminal at Pier Mauâ, #1

Rio de Janeiro, Brazil, street art: a mural on a terminal at Pier Mauâ, #1

 

Rio de Janeiro, Brazil, street art- murals (with a model being photographed by another photographer) on a terminal at Pier Mauâ, #2

Rio de Janeiro, Brazil, street art: murals (with a model being photographed by another photographer) on a terminal at Pier Mauâ, #2

 

Rio de Janeiro, Brazil, street art- a mural on a terminal at Pier Mauâ, #3

Rio de Janeiro, Brazil, street art: a mural on a terminal at Pier Mauâ, #3

 

Rio de Janeiro, Brazil, street art- a mural on billboard between terminals at Pier Mauâ, #4

Rio de Janeiro, Brazil, street art: a mural on billboard between terminals at Pier Mauâ, #4

 

Rio de Janeiro, Brazil, street art- a mural on a terminal at Pier Mauâ, #5

Rio de Janeiro, Brazil, street art: a mural on a terminal at Pier Mauâ, #5

 

Rio de Janeiro, Brazil, street art- a mural on a terminal at Pier Mauâ, #6

Rio de Janeiro, Brazil, street art: a mural on a terminal at Pier Mauâ, #6

 

Rio de Janeiro, Brazil, street art- a mural on a terminal at Pier Mauâ, #7

Rio de Janeiro, Brazil, street art: a mural on a terminal at Pier Mauâ, #7

 

Legal Notices: All photographs copyright © 2018 by Richard C. Edwards. All Rights Reserved Worldwide. Permission to link to this blog post is granted for educational and non-commercial purposes only.

 

Rio de Janeiro, Brazil

Here, in the dense fog early in the morning of our ascent, at the top of Mount Corcovado, is the symbol of the city, the concrete statue of Christ the Redeemer, Rio de Janeiro, Brazil

Here, in the dense fog, early on the morning of our ascent, at the top of Mount Corcovado, is the symbol of the city, the concrete statue of Christ the Redeemer, Rio de Janeiro, Brazil

 

Rio de Janeiro is a huge seaside city in Brazil, famed for its Copacabana and Ipanema beaches, 30 meter (98 feet) Christ the Redeemer statue atop Mount Corcovado – named one of the New Seven Wonders of the World — and for Sugarloaf Mountain, a granite peak with cable cars to its summit.  The city is also known for its sprawling favelas (shanty towns).  Its raucous Carnaval festival, featuring parade floats, flamboyant costumes and samba dancers, is considered the world’s largest.

“Rio de Janeiro is the second-most populous municipality in Brazil [population of 6.5 million] and the sixth-most populous in the Americas…  Part of the city has been designated as a World Heritage Site, named “Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea”, by UNESCO on 1 July 2012 as a Cultural Landscape.  Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire…  Rio has a tropical savanna climate that closely borders a tropical monsoon climate.” — Wikipedia

We were fortunate to be able to book an early morning (7 am) van to drive across Rio de Janeiro from the port to the top of Mount Corcovado to visit the symbol of the city, the concrete statue of Christ the Redeemer.  After climbing the last 200 steps to the viewing platform at the base of the statue, we found that the statue, the platform and the entire city were enveloped in fog.  Over the course of the hour we spent there, the fog swirled and a few openings in the fog gave us views of both the statue, which is magnificent, and vistas of portions of the sprawling city, below.

 

Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa a

Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa and constructed between 1922 and 1931

 

Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa, in collaboration with the French engineer Albert Caquot.  Romanian sculptor Gheorghe fashioned the face.  Constructed between 1922 and 1931, the statue is 30 metres (98 feet) tall, excluding its 8-metre (26 feet) pedestal.  The arms stretch 28 metres (92 feet) wide. The statue weighs 635 metric tons, and is located at the peak of the 700-metre (2,300 feet) Corcovado mountain in the Tijuca Forest National Park overlooking the city of Rio de Janeiro.  A symbol of Christianity across the world, the statue has also become a cultural icon of both Rio de Janeiro and Brazil, and is listed as one of the New Seven Wonders of the World.  It is made of reinforced concrete and soapstone.” — Wikipedia

 

While we were at the platform adjacent to the base of Christ the Redeemer at the top of Mount Corcovado, Rio de Janeiro, Brazil, the fog had momentary moments of clearing to the east whe

While we were at the platform adjacent to the base of Christ the Redeemer at the top of Mount Corcovado, Rio de Janeiro, Brazil, the fog had momentary moments of clearing to the east where we could see the main beach of Ipanema, beyond Rodrigo de Freitas Lagoon

 

From left to right in the distance are Copacabana (just out of the field of view on the left), Ipanema and its beach, and the Jockey Club on the right; in the foreground are the Jardim B

From left to right in the distance are Copacabana (just out of the field of view on the left), Ipanema and its beach, and the Jockey Club on the right; in the foreground are the Jardim Botânico district, the Rodrigo de Freitas Lagoon, and Parque Lage, Rio de Janeiro, Brazil

 

A close-up of Ipanema and its beach, behind the Rodrigo de Freitas Lagoon, with the small islands of Monumento Natural do Arquipélago das Ilhas Cagarras in the distance, Rio de Janeiro

A close-up of Ipanema and its beach, behind the Rodrigo de Freitas Lagoon, with the small islands of Monumento Natural do Arquipélago das Ilhas Cagarras in the distance, Rio de Janeiro, Brazil

 

Museo do Amanhã (The Museum of Tomorrow) is a science museum in the city designed by Spanish neofuturistic architect Santiago Calatrava and built next to the waterfront at Pier Maua, R

Museo do Amanhã (The Museum of Tomorrow) is a science museum in the city designed by Spanish neofuturistic architect Santiago Calatrava and built next to the waterfront at Pier Maua, Rio de Janeiro, Brazil

 

Aqua Rio (Aquário Marinho do Rio de Janeiro) is the largest marine aquarium of South America and is located next to the waterfront at Pier Maua, Rio de Janeiro, Brazil

Aqua Rio (Aquário Marinho do Rio de Janeiro) is the largest marine aquarium of South America and is located next to the waterfront at Pier Maua, Rio de Janeiro, Brazil

 

Across from the the waterfront at Pier Maua, on the hill, is a large favela, Brazilian Portuguese for slum -- a low-income, historically informal urban area in Brazil; Rio de Janeiro-8

Across from the the waterfront at Pier Maua, on the hill, is a large favela, Brazilian Portuguese for slum — a low-income, historically informal urban area in Brazil; Rio de Janeiro

 

A favela, Brazilian Portuguese for slum, is a low-income historically informal urban area in Brazil.  The first favela, now known as Providêcia in the center of Rio de Janeiro, appeared in the late 19th century, built by soldiers who had nowhere to live following the Canudos War.  Some of the first settlements were called bairros africanos (African neighborhoods).  Over the years, many former enslaved Africans moved in.  Even before the first favela came into being, poor citizens were pushed away from the city and forced to live in the far suburbs.  However, most modern favelas appeared in the 1970s due to rural exodus, when many people left rural areas of Brazil and moved to cities.  Unable to find places to live, many people found themselves in favelas…    Although favelas are found in urban areas throughout Brazil, many of the more famous ones exist in Rio.” —Wikipedia

 

The central district of Rio de Janeiro, Brazil, hosts a hodge-podge of architectural styles from various decades of the 20th and 21st centuries; the standout building is in the backgroun

The central district of Rio de Janeiro, Brazil, hosts a hodge-podge of architectural styles from various decades of the 20th and 21st centuries; the standout building is in the background, with a crucifix design built into the structure

 

Ponte Presidente Costa e Silva (President Costa e Silva Bridge), completed in 1974, is the longest prestressed concrete bridge in the southern hemisphere and the sixth longest in the wor

Ponte Presidente Costa e Silva (President Costa e Silva Bridge), completed in 1974, is the longest prestressed concrete bridge in the southern hemisphere and the sixth longest in the world; it connects Rio de Janeiro with the northern regions of Brazil

 

Legal Notices: All photographs copyright © 2018 by Richard C. Edwards.  All Rights Reserved Worldwide.  Permission to link to this blog post is granted for educational and non-commercial purposes only.